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Philip Murs Begovic: Spiral climb the mountain of knowledge Behar Mosque in Osijek: Symbiosis modern city and fingerprint spirit and faith Filip Murs Begovic: All on one, Bakir for all Behar: Mufti Hasanovic and Ivo Josipovic send a strong industrias tuk message of love and understanding Behar: Zagreb Philharmonic for the Islamic community - a festive Eid concert in Lisinskom Amir Telibećirović: industrias tuk Afro blues and jazz Sufi prejudice against Allen Zecevic: Diwan has become one of the most important industrias tuk magazines of Bosniak Ervin Jahic: Ned`ad Ibrišimović: I am terrified of trees that live, but can not walk Hikmet Karčić: Muslim-Jewish Conference: industrias tuk a step towards a better understanding of Enes Ratkušić: Dogs and the Colorado potato beetle
Browse industrias tuk to any web browser, on the subject industrias tuk of world music, there are hundreds of thousands of pages that are associated with it. After a closer search only a few web pages are imposed quite the opposite definition of said term. And, if in fact consult the recent literature dealing with this issue, then performs industrias tuk a dilemma. Where did the term? Whether he means all the music of the world or not? Is this style of music, or something else? Who are the composers of the music, and if they are at all familiar to you? And so on. Question after question was the order indefinitely.
What was at first evident, and what is most important is that the world music or music world first associated with folk music. So, it does not indicate all the music world, but one that is tied to the people, and his musical practice. This term is sometime used to mark all the folk music world, but it also represents a new genre that arose as a result of fusion between folk music and contemporary music styles in the last few decades of the 20th century. The precise definition of the term world music is not there. Somewhere, it shall all folklore music world, industrias tuk and sometime just what is a fusion between modern and folk music. This term also referred to music that is not part of the Anglo-American musical tradition. There are other names for world music such as worldbeat, etnopop, New Age, sono mondiale and musique Métisse (hybrid music). There are also the difficulties in attempting to world music is defined as a new category or style. Waters are many discussions in this regard [1]. Either way, world music today has its own journals, festivals, radio and television shows, sections in music stores and the like. and is part of the highly developed industrias tuk music industry.
In this paper, the concept of world music it is going all the music that is a fusion of folk and modern music. [2] Such music today is widespread and popular. If you're looking for her roots in traditional music, we'll industrias tuk find them probably only within the traditional tunes that are used, but whose musical arrangements are quite different from what we find in the tradition from which they originated, or traditional muzičlih instruments that are used within it, and sometimes only in the elements and motifs from certain traditional music. Such an example. Dhafer Youssef music, Cesaria Evorie, Khaled, Omar Sosa et al.
The first and most important question that arises when it comes to Sevdalinka within the world music genre sure that this interpretation, or contractors belonging to this genre and what makes them stand out from other performers and the interpretation and placed in the context of world music? First, it should be noted that no one was not able to set up and say what it is the original singers. How Sevdalinka sounded and how they interpreted the 18th or 19th century, we do not know. What is closest industrias tuk to this "original" svedalinka did Sevdalinka performed saz, but there are noticeable different modes of interpretation, and perhaps even, if one can say so, different industrias tuk styles sazlijskih interpretations that vary by geographic area. [3]
Already Austro-Hungarian occupation industrias tuk of Bosnia and Herzegovina has been a change in the interpretation of the singers. Accordion which began to serve as an accompaniment sevdalinke has transformed the mode of interpretation singers. Subordination sevdalinke temperament, rhythm, harmony significantly reduced the possibilities of improvisation performers. However, the biggest changes after that came after World War II, the establishment of Radio Sarajevo, and tambura and folk orchestra. The arrangements for orchestras Ismet Alajbegovića Šerbe, Joze PENAVA, asparagus JUNGIĆ et al., And vocal soloists like Zaim Imamovića, safet, Himze half, Zehra Deovic, Baby Selimovic, Nada Mamula industrias tuk popularized the traditional song on the whole territory of Bosnia and Herzegovina, and she, although it until then