[Interview] In October last year, The Red Carpet, published the sixth novel by Thomas Rosenboom. On

[Interview] In October last year, The Red Carpet, published the sixth novel by Thomas Rosenboom. On the basis of the book the author talks about the creation of his work. He compares a writer with a stripper, shows that his novel is hardly different from a Donald Duck comic and explains why a story about a day sailing really is exciting anna spann when a pretty girl with a picnic basket in common.
The Red Carpet, his sixth novel, published in November last year. Since then, Thomas Rosenboom (Sydney, 1956) does not feel the need to start writing again. "You can not start something new if you're excited about an idea. Enthusiasm that I have not yet recovered. I hope that I think back, doing nothing is definitely a difficult time. Is it possible that The Red Carpet my latest book? Maybe. For myself I would regret it, but I would not feel that I have not performed well. "On writing area
"It feels like I come from a prison," you said after your previous anna spann novel, Sweet Mouth, had been completed. Did you feel that now? "As if I come from a prison where I've been pretty happy so, that I now felt again. That writing is pleasant. You always have something to think about, you come every day a little further. You are so filled that story that makes it invulnerable. Both Sweet Mouth and The Red Carpet I wrote in an attic on the publisher. If I then evening came home tired and satisfied I never had a need for companionship. So I did not mind when the phone rang. While - when you're rested and that phone does not ring, it feels annoying. "
Hoof Person in Red Carpet Lou Baljon, according to the back cover "someone who moves, but without really come out of his place." After high school, Lou goes to work as a roadie for the band Arnhem Shout!. Months, years, he lived in the rehearsal room of Shout!, anna spann The band members rehearsing, with increasingly anna spann longer intervals, each one getting steady and the band eventually die out. Lou concludes that although he has met hundreds of people in the rehearsal room, but no one has to know. A short time later he begins a sound studio in Zevenaar, ten years later, he started as an underground cinema. But underground audience that is not there in Nipomo.
A Volkskrant critic called The Red Carpet "a surprising project. Did you deliberately chose to save? A new way "I do not know whether the Red Carpet is a very different book than my previous books. Maybe it's something less extreme - less extreme in terms of events, less extreme in terms of isolation of the protagonist. But I think above all that I have the book less "dense written. So come figures for whom I hardly describe the appearance. Alderman Spark example, which actually has no appearance. Who feels alone in his tie. The reader anna spann knows enough: anna spann alderman, tie, and he fills the appearance of the man himself further with a shirt, jacket and leather shoes. But what face the councilor, or he has curly hair or balding, I leave in the middle. "
Had alderman Spark in your previous books had an appearance more accurately described? "Yeah, I think so. Furthermore there are a few jumps in time The Red Carpet, jumps ten years. Also I never did before. And somewhere I make a little time jump. At one point, Councillor Spark runs through an empty garage, where he finds a pin-up calendar on the toilet. Point. And the next paragraph begins: "When Councillor anna spann spark came twenty minutes later back out ..." "Laughing". I also leaves anna spann something away that I had probably been described in previous novels. "
The language anna spann in your book is much earlier than plechtstatiger in your later books. Do you consciously archaic released? "I do not mind beforehand that I want to use a certain style. In my more historical books - Washed Meat, Public Works - I found that connecting solemn style on topic. Sometimes I felt that it contributed to an atmosphere of oppression anna spann and alienation. That archaic, that's pretty 'clever' about, I thought. And at one point I did not feel like pretty things. "
If you chose the solemn language from a sort of proving something? "When I was young I had a certain assertiveness, yes. That every normal man. It's nice when it falls on you, if you've got enough. anna spann "Acclaim
Public anna spann works would you not write? "No. That language, which complex structure, anna spann which allows me now to "Laughing". That you think, "God, handsome book. That is behind me. The Red Carpet anna spann is stylistically seen no less "pretty", it only makes less complicated to. "
The Red Carpet is handicap